Lost In The Spin

Sarah Jarosz is a gifted multi-instrumentalist (mandolin, octave mandolin, guitar, banjo), an expressive vocalist, and an accomplished songwriter. Still in her 20s, this New England Conservatory of Music grad has already carved out a solid niche where contemporary folk, Americana, and roots music intersect. She has been nominated for multiple Grammys, including two for her album Build Me Up From Bones. A new recording - Undercurrent - was recently released on Sugar Hill Records

James Taylor once told a reporter that Tom Rush "was not only one of my early heroes, but also one of my main influences." Lots of artists could say the same. Rush has had a profound impact on American music ever since his early days on the 1960s Boston/Cambridge coffeehouse scene, where he began performing while he was an English lit student at Harvard. He made his first record, Tom Rush at the Unicorn, in 1962. He has since released dozens of albums, but the most recent, 2009's What I Know (Appleseed), was his first studio recording in thirty-five years.

Pianist Shai Wosner has performed a wide-ranging repertoire with major orchestras worldwide, including the Los Angeles Philharmonic, the St. Paul Chamber Orchestra, the Staatskapelle Berlin, and the Vienna Philharmonic. Born and raised in Israel, he began his music education at an early age. In the late 1990s, he moved to New York and continued his studies at the Juilliard School with Emanuel Ax. His debut solo album, Shai Wosner: Brahms and Schoenberg, was released last fall on the Onyx Classics label.

Garrison Keillor was born in 1942 in Anoka, Minnesota. He went to work for Minnesota Public Radio in 1969, and on July 6, 1974, he hosted the first broadcast of A Prairie Home Companion in St. Paul. He is the host of The Writer's Almanac and the editor of the Good Poems series of anthologies from Viking.

Richard Dworsky The Guy's All-Star Shoe Band is led by A Prairie Home Companion music director Richard Dworsky. Keyboard player, composer and improviser in any style, he also writes all the script themes and underscores. His latest CD is So Near and Dear to Me. Pat Donohue Chet Atkins called Pat Donohue (guitar) one of the greatest fingerpickers in the world today. And he writes songs too - recorded by Suzy Bogguss, Kenny Rogers and others. Freewayman (Bluesky Records) is the most recent of Pat's nine albums. Gary Raynor Gary Raynor (bass) has performed with the Count Basie band, Sammy Davis Jr. - with whom he toured for several years - and the Minnesota Klezmer Band. He teaches jazz bass at the McNally Smith College of Music in St. Paul. Peter Johnson Peter Johnson (percussion) has played klezmer music with Doc Severinsen and jazz with Dave Brubeck. He was a drummer for The Manhattan Transfer and for Gene Pitney. He has toured the world, but he always comes back to home base: Saint Paul. Andy Stein Andy Stein (violin, saxophone) has far-flung musical leanings: He was a founding member of Commander Cody and His Lost Planet Airmen; he collaborated with Garrison Keillor to create the opera Mr. and Mrs. Olson; and he has recorded with dozens of artists, from Itzhak Perlman to Nellie McKay.

One minute he's mild-mannered Tim Russell; the next he's George Bush or Julia Child or Barack Obama. We've yet to stump this man of many voices. Says fellow APHC actor Sue Scott, "He does a better Ira Glass than Ira Glass." A well-known Twin Cities radio personality and voice actor, Tim appeared in the Robert Altman film A Prairie Home Companion and the Coen brothers' A Serious Man. Tim has also been reviewing films professionally for over 10 years.

On APHC, Sue Scott plays everything from ditzy teenagers to Guy Noir stunners to leathery crones who've smoked one pack of Camel straights too many. The Tucson, Arizona, native is well known for her extensive commercial and voice-over work on radio and television, as well as stage and movie roles, including the part of "Donna" in Robert Altman's A Prairie Home Companion.

Sound effects man Fred Newman is an actor, writer, musician, and sound designer for film and TV. Turns out, no one is more surprised than Fred that he's made a career out of doing what he used to do behind the teacher's back -crossing his eyes, making sounds, and doing voices. He readily admits that, growing up, he was unceremoniously removed from several classrooms, "once by my bottom lip."